French Literature

Shocking his stodgy colleagues at the exclusive Reform Club, enigmatic Englishman Phileas Fogg wagers his fortune, undertaking an extraordinary and daring enterprise: to circumnavigate the globe in eighty days. With his French valet Passepartout in tow, Verne’s hero traverses the far reaches of the earth, all the while tracked by the intrepid Detective Fix, a bounty hunter certain he is on the trail of a notorious bank robber. Set from the text of George M. Towle’s original 1873 translation, this Modern Library Paperback Classic of Verne’s adventure novel comes vividly alive, brilliantly reflecting on time, space, and one man's struggle to reach beyond the bounds of both science and society.

Welcome to seventeenth-century Paris, where intrigue, duels, and spies are rife and Cardinal Richelieu's men may be prevailed upon to risk life and limb in the name of France at a moment's notice. And with war on the horizon, the defense of the nation has never been more pressing. Danger is rising from the south—an insidious plot that could end with a huge dragon-shaped shadow falling over France, a shadow cast by dragons quite unlike the pet dragonets that roam the cities like stray cats, or the tame wyverns men ride like horses, high over the Parisian rooftops. These dragons and their descendants are ancient, terrible, and powerful...and their plans contain little room for the lives or freedom of men. Cardinal Richelieu has nowhere else to turn; Captain La Fargue and his elite group of men, the Cardinal's Blades, must turn the tide. They must hold the deadly Black Claw cult at bay, root out traitors to the crown, rescue prisoners, and fulfill their mission for the Cardinal, for their country, but above all for themselves. It's death or victory. And the victory has never been less certain.

The Day of the Dolphin (Un animal doué de raison) "concerns dolphins that are trained to communicate with humans, and their use in warfare" (Wikipedia).

In this, his first novel, Bernard Werber describes with chilling accuracy a universe of abominable crime and warfare hidden below ground. A phenomenal bestseller in Europe, Empire of the Ants is a tour de force; the world will never seem quite the same again.

Enemy Force (1903) is a ground-breaking, surrealistic novel about a poet who is locked in a lunatic asylum and who mysteriously becomes possessed by an 'Enemy Force,' possibly an alien being from a hellish planet orbiting the star Aldebaran. Both tragic and satirical, emotional and visionary, it is considered by many scholars to be a forgotten masterpiece of early science fiction. John-Antoine Nau (1860–1918) was himself an eccentric French poet and writer who led a marginal existence and whose works remained mostly unpublished until long after his death. FIRST WINNER OF THE PRESTIGIOUS LITERARY GONCOURT AWARD (1903). "The best [novel] that we ever crowned." Joris-Karl Huysmans. Michael Shreve is a writer and translator currently living in Paris. His credits include translations of Jacques Barberi, André Laurie and Marcel Schwob" (Amazon).

Originally published in 1864, this Jules Verne classic has wowed generations of readers with its portrayal of an imaginary odyssey into a subterranean wonderland. When Axel deciphers an old parchment describing a secret passage through a volcano to the center of the earth, nothing will stop his eccentric Uncle Lidenbrock from setting out at once. With silent Hans as guide, the two men encounter natural hazards, prehistoric beasts, and other curiosities on their perilous, astonishing, terrifying trek through the underworld...

Ils sont vingt-trois, forment la trente-quatrième Horde du Contrevent et ont entre vingt-sept et quarante-trois ans. Dans un monde balayé par les vents, ils ont été formés depuis l'enfance dans un seul but : parcourir le monde, d'ouest en est, de l'Aval vers l'Amont, à contre-courant face au vent, à travers la plaine, l'eau et les pics glacés, pour atteindre le mythique Extrême-Amont, la source de tous les vents (French Wikipédia).

Quand Camille vit le poids lourd qui fonçait droit sur elle, elle se figea au milieu de la chaussée. Son irrépressible curiosité l'empêcha de fermer les yeux et elle n'eut pas le temps de crier... Non, elle se retrouva couchée à plat ventre dans une forêt inconnue plantée d'arbres immenses. Te voici donc, Ewilan. Nous t'avons longtemps cherchée, mes frères et moi, afin d'achever ce qui avait été commencé, mais tu étais introuvable...(Amazon)

The first of three satirical novels written by Cyrano de Bergerac. It was published posthumously in 1657 and, along with its companion work The States and Empires of the Sun, is considered one of the earliest published science fiction stories.

Explorers are menaced on a planet where men are 'animals' and the apes rule. A satire.

One of the most famous historical novels ever written, The Three Musketeers (1844) is also revered as one of the world's greatest adventure stories—[its] heroes Athos, Porthos and Aramis symbols for the spirit of youth, daring and comradeship...

As a child, Charles Nodier had witnessed the guillotine in bloody action in Revolutionary France. Decades before Freud, the knowledge that nightmares could come to life made him sensitive to the irrational as an important part of experience. Rebelling against the devotion to Classical Reason hailed in 18th century France as the best way to think about any topic, Nodier championed Romanticism and Fantasy as a way to look at experiences demanding more intuitive understanding, such as beauty, terror, or love. The hell-demon Smarra (1821) was only a nightmare, the menace of a single night for the dreamer Lorenzo. But for Lucius, the ancient Greek wanderer lost inside the dream, Smarra brought literal death and a rebirth into terror. Jeannie thought the brownie Trilby (1822) was a gentle trickster, a help in the household chores. The pious monk Ronald thought a brownie was a demon, opening the way to damnation. Love might give Jeannie the courage to stand by her puckish admirer. Only Michael the Carpenter was foolish enough to believe that The Crumb Fairy (1832), the little old beggarwoman fed from the crumbs of the children's lunches was really the beautiful Queen of Sheba. But was his folly really madness—or wisdom?...

In this thrilling adventure tale, three men embark on an epic journey under the sea with the mysterious Captain Nemo aboard his submarine, the Nautilus. Over the course of their fantastical voyage, they encounter the lost city of Atlantis, the South Pole and the corals of the Red Sea, and must battle countless adversaries, both human and monstrous. This new version by acclaimed translator David Coward brings Verne's novel vividly to life for a new generation of readers.

Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in this French runaway hit, Christelle Dabos' The Mirror Visitor quartet. Plain-spoken, headstrong Ophelia cares little about appearances. Her ability to read the past of objects is unmatched in all of Anima and, what's more, she possesses the ability to travel through mirrors, a skill passed down to her from previous generations. Her idyllic life is disrupted, however, when she is promised in marriage to Thorn, a taciturn and influential member of a distant clan. Ophelia must leave all she knows behind and follow her fiancé to Citaceleste, the capital of a cold, icy ark known as the Pole, where danger lurks around every corner and nobody can be trusted. There, in the presence of her inscrutable future husband, Ophelia slowly realizes that she is a pawn in a political game that will have far-reaching ramifications not only for her but for her entire world. The World of the Arks Long ago, following a cataclysm called the Rupture, the world was shattered into many floating celestial islands, now known as arks. Over each, the spirit of an omnipotent and immortal ancestor abides. The inhabitants of these arks each possess a unique power. Ophelia, with her ability to read the pasts of objects, must navigate this fantastic, disjointed, perilous world using her trademark tenacity and quiet strength...

Following World War II, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Their imprint Anticipation specialized in science fiction, but mostly eschewed translations from English, preferring instead French work, thus making the imprint an important outlet for native French postwar ideas and aesthetics. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint, revealing the way these writers criticized midcentury notions of progress while adapting and reworking American genre formats.

This book sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits.

Both synthetic and panoramic, this work traces the evolution of French-language fantasy literature, from its origins to the present day. It is also and above all a consultation and reference manual, an essential working tool for those who want to know the genre better and find their way in the vast labyrinth of names, works, dates, successive influences, trends and schools (translation from publisher's description).

French science-fiction (SF) is as old as the French language. Cyrano de Bergerac wrote about a trip to the moon that was published back in 1657, as did Jules Verne in 1865, this time using hard, scientific facts. The first movie showing a trip to the moon was made by Georges Melies in 1902. In the comics' format, Herge had Tintin walk on the moon in 1954, 15 years before Neil Armstrong. These are just a few of the many unique French contributions to SF that rightly deserve to be better known. One of the purposes of this collection is to introduce French SF to an English-speaking audience. Rediscovering French Science Fiction... first revisits proto science-fiction from authors like Cyrano de Bergerac and Jules Verne, before delving into contemporary science-fiction works from authors such as Rene Barjavel and Jacques Spitz. A contribution from preeminent SF author Elisabeth Vonarburg, from Quebec, helps to understand the constraints and advantages of writing SF in French. A third section is devoted to French SF in movies and graphic novels, media where French creators have been recognized worldwide. This collection explores many aspects of French SF, including the genre's deep roots in popular culture, the influence of key authors on its historical development, and the form and function of science and fantasy, as well as the impact of films and graphic novels on the public perception of the genre's nature.

The study of French science fiction—even in France—remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. This is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought?s entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF.