Film Music

The Routledge Companion to Screen Music and Sound provides a detailed and comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music and sound" allows readers to explore the intersections and connections between various types of media and music and sound, reflecting the current state of scholarship and the future of the field. A diverse range of international scholars have contributed an impressive set of forty-six chapters that move from foundational knowledge to cutting edge topics that highlight new key areas. The companion is thematically organized into five cohesive areas of study: Issues in the Study of Screen Music and Sound--discusses the essential topics of the discipline Historical Approaches--examines periods of historical change or transition Production and Process--focuses on issues of collaboration, institutional politics, and the impact of technology and industrial practices Cultural and Aesthetic Perspectives--contextualizes an aesthetic approach within a wider framework of cultural knowledge Analyses and Methodologies--explores potential methodologies for interrogating screen music and sound Covering a wide range of topic areas drawn from musicology, sound studies, and media studies, The Routledge Companion to Screen Music and Sound provides researchers and students with an effective overview of music's role in narrative media, as well as new methodological and aesthetic insights.

Almost since films were first shown to the public, music has played a critical component in their success. Film and Television Music: A Guide to Books, Articles, and Composer Interviews compiles over 100 years of writings devoted to the subject of film and television music and its practitioners, offering an awareness of the vast literature on film and television music to a larger audience. This indispensable resource tool includes bibliographic citations and supplementary information on books, academic dissertations, composer and songwriter biographies, music for the accompaniment of silent films, and a wide range of film, music, and general interest periodicals. Providing context, background, accuracy, and breadth of coverage, the entries in this book assist researchers with thoughtful and succinct synopses of the contents of books and articles from the silent era to the digital age. The material is organized in 11 sections: books on film and television music; academic dissertations and theses; composer, songwriter, and lyricist biographies; books with material on film and television music; music for the accompaniment of silent films; film music periodicals; composer society journals and newsletters; film and media periodicals; music periodicals; and general interest and other periodicals. This authoritative reference is for anyone interested in the history of film music.

This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.