Hungarian Studies

A New York Times Editors' Choice "Anything can happen in The Bone Fire--and everything does. Dragomán puts us in the middle of our most wondrous and terrifying childhood fairytales, somehow unhazing their dreaminess and replicating their electrifying uncertainty all at once." --Téa Obreht, bestselling author of Inland and The Tiger's Wife "[Dragomán's] telling is not just magic, but enchantment." --Rebecca Makkai, New York Times Book Review  From an award-winning and internationally acclaimed European writer: A chilling and suspenseful novel set in the wake of a violent revolution about a young girl rescued from an orphanage by an otherworldly grandmother she's never met Thirteen-year-old Emma grows up under an Eastern European dictatorship where oppression seems eternal. When her dissident parents die in a car accident, she's taken to an orphanage, only to be adopted soon after by a grandmother she has never met. While her homeland is shattered by a violent revolution, Emma--like a witch's apprentice--comes to learn the ways of her new grandmother, who can tell fortunes from coffee dregs, cause and heal pain at will, and shares her home with the ghost of her husband. But this is not the main reason her grandmother is treated with suspicion and contempt by most people in town. They suspect her or her husband of having been involved in the disappearance of top secret government files. As Emma learns her family history, she begins to see that, for her grandparents, the alternate reality shaped by magic was their only form of freedom. The Bone Fire is a political Gothic, carried along by the menace and promise of a fairy tale.

Princes, counts, commanders, diplomats, bishops, and patrons of the arts, revered, respected, and occasionally feared by their contemporaries, the Esterházy family was among the greatest and most powerful aristocrats in Hungarian history. Celestial Harmonies is the intricate chronicle of this remarkable family, a story spanning seven centuries of epic conquest, tragedy, triumph, and near annihilation. Told by Péter Esterházy, a scion of this populous family, Celestial Harmonies unfolds in two parts, revealing two versions of the Esterházy story. Book One is a compilation of short passages about the Esterházy men, sons reflecting on their fathers, from the earliest days of the Hapsburg Empire to its demise in the early twentieth century and beyond. At one point, the father is seen fighting the Turks and writing psalms, at another he is described as herding geese and feathering his already well-feathered nest. In the nineteenth century, he is caught cavorting with his mistress while looking after matters of state; in the 1940s and 1950s, he is seen helping to organize a number of conspiracies, then reporting them (and himself) to the secret police. Conversely, he is also seen apprehended and tortured by the authorities. The father is a monster and he is an angel, but, above all, he is a man in search of his God. Book Two chronicles the final chapter in the life of the Esterházy family, from the short Communist take over of 1919 to World War Two and its aftermath, when Hungary fell to Soviet rule and the Esterházys succumbed to dispossession, resettlement, and impoverishment. Here, Péter Esterházy reveals the story of his immediate family, especially his father, Mátyás Esterházy, who was born into great wealth and privilege in 1919. He worked as a field hand and parquet floor layer under the hard-line Communists, then, later on, as a translator making a meager living. It is a biography of a man who, despite the brutal tides of history, never relinquished the humanist values that were his birthright, and that were as inseparable from him as his illustrious name and heritage. On the first page of Celestial Harmonies, the father is seen as a baroque grand seigneur; on the last, he is seated by his typewriter, bereft of everything except for the one word, "homeland." The individual stories of these "fathers" -- separated by centuries -- are as complex as the history of Hungary itself. Dazzling in scope and profound in implication, Celestial Harmonies is fiction at its richest and most awe-inspiring.

The first word in this mesmerizing novel by the winner of the Nobel Prize for Literature is “No.” It is how the novel’s narrator, a middle-aged Hungarian-Jewish writer, answers an acquaintance who asks him if he has a child. It is the answer he gave his wife (now ex-wife) years earlier when she told him that she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

Winner of the 2015 Man Booker International Prize The Melancholy of Resistance, László Krasznahorkai's magisterial, surreal novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender centre of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, 'is a slow lava flow of narrative, a vast black river of type.' And yet, miraculously, the novel, in the words of Guardian, 'lifts the reader along in lunar leaps and bounds.'

First published in Hungarian in 1998, this novel is a stunning portrait of a world disposed to depravity in the pursuit of wealth. With To Err Is Divine, Hungarian writer Agota Bozai has fashioned a keen reflection on the overpowering excesses of human greed. Anna Levay, a widow and secondary-school teacher in a small resort city in Lake Balaton, is close to retirement. One evening, after her bath, Anna discovers a strange light floating about her head. It is a halo, like that of a saint. Anna is not a particularly good person and is, in fact, an atheist. She sets about trying to conceal her halo, but realises that only the truly innocent, small children and animals, can see it. But the concurrent power to heal and produce miracles are visible to a less exclusive audience, and once the greedy mayor and physician of the town discover Anna's new gifts, they set about using her to their advantage. They build a luxury health resort and line their pockets. Written as surveillance reports from heaven, the eleven chapters recount the event surrounding the (as it turns out) mistakenly bestowed halo in this richly ironic tale.

An international sensation, this startling and heartbreaking debut introduces us to precocious eleven-year-old Djata, whose life in the totalitarian state he calls home is about to change forever. Djata doesn't know what to make of the two men who lead his father away one day, nor does he understand why his mother bursts into tears when he brings her tulips on her wedding anniversary. He does know that he must learn to fill his father's shoes, even though among his friends he is still a boy: fighting with neighborhood bullies, playing soccer on radioactive grass, having inappropriate crushes, sneaking into secret screening rooms, and shooting at stray cats with his gun-happy grandfather. But the random brutality of Djata's world is tempered by the hilarious absurdity of the situations he finds himself in, by his enduring faith in his father's return, and by moments of unexpected beauty, hope, and kindness. Structured as a series of interconnected stories propelled by the energy of Dragomán's riveting prose, the chapters of The White King collectively illuminate the joys and humiliations of growing up, while painting a multifaceted and unforgettable portrait of life in an oppressive state and its human cost. And as in the works of Mark Haddon, David Mitchell, and Marjane Satrapi, Djata's child's-eye view lends power and immediacy to his story, making us laugh and achein recognition and reminding us all of our shared humanity.