Gothic Fiction

Volume I of The Cambridge History of American Literature was originally published in 1997, and covers the colonial and early national periods and discusses the work of a diverse assemblage of authors, from Renaissance explorers and Puritan theocrats to Revolutionary pamphleteers and poets and novelists of the new republic. Addressing those characteristics that render the texts distinctively American while placing the literature in an international perspective, the contributors offer a compelling new evaluation of both the literary importance of early American history and the historical value of early American literature.

From Occitan poetry to Francophone writing produced in the Caribbean and North Africa, from intellectual history to current films, and from medieval manuscripts to bandes dessinées, this History covers French literature from its beginnings to the present day. With equal attention to all genres, historical periods and registers, this is the most comprehensive guide to literature written in French ever produced in English, and the first in decades to offer such an array of topics and perspectives. Contributors attend to issues of orality, history, peripheries, visual culture, alterity, sexuality, religion, politics, autobiography and testimony. The result is a collection that, despite the wide variety of topics and perspectives, presents a unified view of the richness of French-speaking cultures. This History gives support to the idea that French writing will continue to prosper in the twenty-first century as it adapts, adds to, and refocuses the rich legacy of its past.

This book describes German literary history up to the unification of Germany in 1990. Contributors, all leading scholars in their field, take a fresh look at the main authors and movements, and also ask what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A prominence is given to writing by women. The book is designed for general readers as well as students and scholars: titles and quotations are translated, and there is an extensive bibliography.

This is the first comprehensive history of Irish literature in both its major languages. The twenty-eight chapters in this two-volume history provide an authoritative chronological survey of the Irish literary tradition, both in Irish and English. Spanning fifteen centuries of literary achievement, the two volumes range from the earliest medieval Latin texts to the late twentieth century. The contributors, drawn from a range of Irish, British and North American universities, are internationally renowned experts in their fields. The Cambridge History of Irish Literature comprises an unprecedented synthesis of research and information, a detailed narrative of one of the world's richest literary traditions, and innovative and challenging new readings. No critical work of this scale has been attempted for Irish literature before. Featuring a detailed chronology and guides to further reading for each chapter, this magisterial project will remain the key reference book for literature in Ireland for generations to come.

Italy possesses one of the richest and most influential literatures of Europe, stretching back to the thirteenth century. This first substantial history of Italian literature to appear in the English language for forty years provides a comprehensive survey of Italian writing from its earliest origins up to the present day. Leading scholars describe and assess the work of writers who have contributed to the Italian literary tradition, including Dante, Petrarch and Boccaccio, the Renaissance humanists, Machiavelli, Ariosto and Tasso, pioneers and practitioners of commedia dell'arte and opera, and the contemporary novelists Calvino and Eco. The Cambridge History of Italian Literature sets out to be accessible to the general reader as well as to students and scholars: translations are provided, along with a map, chronological chart and up-to-date and substantial bibliographies.

The New Oxford Companion to Literature in French is far more than a simple revision of the original Oxford Companion to French Literature, published in 1959, and described by The Listener as the `standard work of reference for English-speaking enquirers into French literature'. As the change in title implies, this completely new work presents an authoritative guide not only to ten centuries of literature produced in the territory now called France, but also to the rich literary output of other French-speaking countries around the world. The scope of the Companion is deliberately open and inclusive, challenging and extending the traditional canon. Literature is understood in a broad sense, ranging from strip cartoon and pamphlet to tragedy and epic, and particular attention is devoted to francophone writing from outside France. Written by an international team of specialists, entries cover individual authors and works—over 3,000 of them—from the troubadours to Césaire, and from La Princesse de Clèves to La Vie mode d'emploi. Each is discussed in detail within their historical, cultural, and intellectual context. Among the new features of the Companion are the substantial essay-entries, reflecting up-to-date scholarship and theoretical debates on topics such as:—literary movements and genres—historical subjects such as chivalry, or Occupation and Resistance in wartime France—movements of thought from Scholasticism to feminism—linguistic topics—the sciences—the arts and media, including opera, cinema, and press As a divertissement for readers, an entry on `Quotations' lists 100 well-known quotations from the canon of French literature. Adventurous and wide-ranging, The New Oxford Companion to Literature in French will be an indispensable and hugely enjoyable reference work for all scholars, students and general readers.

For the sixth edition, James D. Hart and Phillip Leininger have updated the Companion in light of what has happened in American literature since 1982. To this end, they have revised the entries on such established authors as Saul Bellow, Norman Mailer, and Joyce Carol Oates, and they have added more than 180 new entries on novelists (T. Coraghessan Boyle, Tim O'Brien, Louise Erdrich, Don De Lillo), poets (Rita Dove, Weldon Kees), playwrights (Wendy Wasserstein, August Wilson), popular writers (Stephen King, Louis L'Amour), historians (James M. McPherson, David Herbert Donald, William Manchester), naturalists (Aldo Leopold, Edward Abbey), and literary critics (Camille Paglia, Richard Ellmann). In addition, the Companion boasts more women's, African-American, and ethnic voices, with new entries on such luminaries as Charlotte Perkins Gilman, M.F.K. Fisher, William Least Heat-Moon, Ursula Le Guin, and Oscar Hijuelos, among many others. With over 5,000 total entries, The Oxford Companion to American Literature reflects a dynamic balance between past and contemporary literature, surveying virtually every aspect of our national literature, from the Pulitzer Prize to pulp fiction, and from Walt Whitman to William F. Buckley, Jr. There are over 2,000 biographical profiles of important American authors (with information regarding their styles, subjects, and major works) and influential foreign writers as well as other figures who have been important in the nation's social and cultural history. There are more than 1,100 full summaries of important American novels, stories, essays, poems (with verse form noted), plays, biographies and autobiographies, tracts, narratives, and histories. The new edition provides historical background and astute commentary on literary schools and movements, literary awards, magazines, newspapers, and a wide variety of other matters directly related to writing in America. Finally, the book is thoroughly cross-referenced and features an extensive and fully updated index of literary and social history.

The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides [unrivaled] coverage of all aspects of English literature—from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers—Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy—to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, [approaches] and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams...

This new edition of Mary and Henry Garland's classic Oxford Companion to German Literature substantially revises and extends its coverage, making an invaluable reference work available to a new generation of readers. Designed to be a reliable source of information on the whole sweep of literature from German-speaking countries from the eighth century onwards, the Companion now comes right up to the mid-1990s, including recent works such as Günter Grass's controversial novel about the unification of East and West Germany, Ein weites Feld (1995). The entries, arranged in a single alphabetical sequence, cover authors and their major works, as well as historical, intellectual, and cultural backgrounds. For this new edition much of the original material has been thoroughly reworked in the light of up-to-date scholarship, and many completely new entries have been added, allowing improved coverage of the twentieth century, general topics, and women writers of all periods. The Companion's unrivalled historical coverage and depth of information - on subjects as various as Kafka and Kleist, Werther and Christa Wolf, Nietzsche and the Nibelungenlied, Jung and Jelinek, Rilke and Die Reformation—makes it an indispensable reference book for everyone with an interest in the literature and literary culture of the German-speaking world.

The literature of Ireland displays an exceptional richness and diversity—whether in Irish or English, by native Irish and Anglo-Irish writers or by outsiders like Edmund Spenser whose works were deeply imbued with the country in which he lived and wrote. In over 2,000 entries, the Companion to Irish Literature surveys the Irish literary landscape across some sixteen centuries, describing its features and landmarks. Entries range from ogam writing, developed in the 4th century, to the fiction, poetry, and drama of the l990s; and from Cú Chulainn to James Joyce. There are accounts of authors as early as Adomnán, 7th century Abbot of Iona, up to contemporary writers such as Roddy Doyle, Brian Friel, Seamus Heaney, and Edna O'Brien. Individual entries are provided for all major works, from Táin Bó Cuailnge—the Ulster saga reflecting the Celtic Iron Age—to Swift's Gulliver's Travels, Edgeworth's Castle Rackrent, Ó Cadhain's Cré na Cille, and Banville's The Book of Evidence. The Companion also illuminates the historical contexts of these writers, and the events which sometimes directly inspired them—the Famine of 1845-8, which provided a theme for novelists, poets, and memoirists from William Carleton to Patrick Kavanagh and Peadar Ó Laoghaire; the founding of the Abbey Theatre and its impact on playwrights such as J. M. Synge and Padraic Colum; the Easter Rising that stirred Yeats to the `terrible beauty' of `Easter 1916'. It offers a wealth of information on general topics, ranging from the stage Irishman to Catholicism, Protestantism, the Irish language, and university education in Ireland; and on genres such as annals, bardic poetry, and folksong. The majority of entries include a succinct bibliography, and the volume also provides a chronology and maps.

Embracing the whole of Italian literature, from the early thirteenth century to the present, The Oxford Companion to Italian Literature takes a broad view of what constitutes literature, covering historical writing, travel writing, theatre, and philosophy as well as the novel, poetry, literary dialogues, and critical theory. Providing generous coverage of canonical figures—from Dante and Petrarch to Montale and Calvino—it also contains a wealth of short entries on significant minor figures. The Companion also explores Latin literature written by Italian authors—a major feature of Renaissance culture—and Italian dialect literature; and highlights articles which place the writers and their works in their wider social, historical, artistic, and political context. The 2,400 alphabetically-arranged entries provide clear, up-to-date coverage of Italian literature, making this an essential reference for specialists and non-specialists alike. Written by expert contributors, the entries reflect the current state of international scholarship, which has developed in many different and exciting directions in recent years.

This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays that reflect the latest scholarship on a given topic, as well as original thinking on the part of the critic...At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists...A second key element of the project is the critical assessments of major American masterworks...The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections...In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.

From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers.