Opening the Doors to Contemporary Literature

Russian Formalism, one of the twentieth century's most important movements in literary criticism, has received far less attention than most of its rivals. Examining Formalism in light of more recent developments in literary theory, Peter Steiner here offers the most comprehensive critique of Formalism to date. Steiner studies the work of the Formalists in terms of the major tropes that characterized their thought. He first considers those theorists who viewed a literary work as a mechanism, an organism, or a system. He then turns to those who sought to reduce literature to its most basic element--language--and who consequently replaced poetics with linguistics. Throughout, Steiner elucidates the basic principles of the Formalists and explores their contributions to the study of poetics, literary history, the theory of literary genre, and prosody. Russian Formalism is an authoritative introduction to the movement that was a major precursor of contemporary critical thought.

Czech fiction in the twentieth century has been deeply enmeshed in the nation's political life and often serves as a conduit for its authors' social ideas. Through a series of brilliant and powerful readings of major Czech texts in both literature and history, Peter Steiner challenges the view that literary works can be treated as aesthetically distinct from historical events. Instead, he gives evidence again and again of the inevitable connection between literature and politics. Steiner engages six central works ranging from novels to government documents; all, in his view, purvey ideological fictions that have exerted significant social influence. He begins with Jaroslav Hasek's 1920s novel The Good Soldier Svejk, whose anti-authoritarian protagonist was widely emulated during the Nazi and Communist regimes, and ends with Václav Havel's play The Beggar's Opera, through which Steiner explores the social role of Czech writing in the 1970s. He also considers Reportage, by Julius Fucík, which announces itself as a documentary of the Communist Party's heroic struggle against the Germans, but is, for Steiner, a fiction arising out of Marxist-Leninist ideology; Karel Capek's Apocryphal Stories; Milan Kundera's novel The Joke; and the 1952 show trial of Rudolf Slánský, the general secretary of the Communist Party.

The Prague Linguistic Circle came into being on the afternoon of October 6, 1926, when five Czech and Russian linguists gathered to hear a lecture by a German colleague. From this international beginning, the interests of the group grew to first encompass language in all its functional heterogeneity and then finally all of culture, which the Circle conceived of as a structure of sign systems. Semiotics was thus the overarching discipline for the Prague School, serving to organize all phenomena shared and exchanged by a cultural community. In recent years increasing attention has been paid to the importance of the Prague School, but writing about it has frequently been marred by misconceptions. The central aim of this volume is to correct those misconceptions and to present the diversity of interests within the Prague School--literary criticism, linguistics, theory of theater, folklore, and philosophy. These essays by Bogatyrëv, Jakobson, Karcevskij, Mukařovský, Rieger, Vodička, and Honzl are here translated into English for the first time. Some have a special historical value in illuminating critical stages of structuralist thinking; others reveal the timeliness of the School's contributions for the theoretical conflicts of our day. Each essay is accompanied by an informative introductory note, and the whole is followed by the editor's "Postscript," tracing the roots of structuralist aesthetics.

An intimate history of Czechoslovakia under communism; a meditation on the social and political role of art, and a triumphant statement of the values underlying all the recent revolutions in Central and Eastern Europe.

Czech absurdist playwright Havel defines God as a horizon that gives everything meaning, the possible perimeter of his life. He holds that death permeates our consciousness as destiny. These daring observations were penned during the three years he spent in a Czech prison, from 1979 to 1982, for dissident activity. Allowed to write one letter per week to his wife, Havel eluded the prison censor by resorting to circumlocutions and revealing little about the harsh treatment he endured. Most of his correspondence is tedious reading. Yet, embedded in the muddled philosophizing are eloquent, startling comments about the individual as an anonymous molecule in society, the dynamics of fanaticism, faith, freedom, the chessboard of power politics, the social nature of theater. Havel's unbroken spirit resonates throughout this smoothly translated journey into hell.

As writer, dissident, and statesman, Václav Havel played an essential part in the profound changes that occurred in Central Europe during the last decades of the twentieth century, and became a powerful intellectual and political force for the reestablishment of democratic principles and institutions. Now, in this intimate, illuminating memoir, he recollects the pivotal experiences and ideas of his remarkable life. Known in his native Prague for his theatrical productions, and imprisoned for his anticommunist views, Havel emerged on the international stage in 1989 as the elected president of Czechoslovakia, and, in 1993, as president of the newly formed Czech Republic. He writes with eloquence and candor about his transition from playwright to politician, and the surreal challenges of governing a young democracy. But the scope of his writing extends far beyond the circumstances he faced in his own country. He shares his thoughts on the future of the EU, the reach of the American superpower, and the role of national identity in today’s world. He explains why he has come to believe the war in Iraq is a fiasco, and he discusses the reverberations from his initial support of the invasion. This is also a personal book, in which he writes for the first time about his battle with lung cancer, the death of his first wife, Olga, and the controversy that has dogged his relationship with his second wife, the Czech actress Dagmar Veškrnová. And, finally, it is a meditation on mortality and on the difficulties of writing itself. Infused with characteristic wit and well-honed irony,To the Castle and Backis a revelation of one of the most important figures of our time.

In a book written while he was president of Czechoslovakia, Vaclav Havel combines the same powerful eloquence, moral passion, and abiding wisdom that informed his writing as a dissident and playwright, with a candor unprecedented from one with the broad perspective and infinite responsibility of governing a country. Havel, now president of the Czech Republic, addresses the legacy of Communism as the euphoria of the Velvet Revolution gives way to a more problematic reality. Yet even as he grapples with the challenges of political change, he affirms his belief in a politics motivated by moral responsibility; in an economy tempered by compassion; and in the central roles of art and culture in the transformation of society. Summer Meditations is not only a timely and necessary testament of events in Eastern Europe but a profound reflection upon the nature and practice of politics and a stirring call for morality, civility, and openness in public life throughout the world.

Designed as an introduction to emergency management, this book includes pieces on: social, political, and fiscal aspects of risk management; land-use planning and building code enforcement regulations; insurance issues; emergency management systems; and managing natural and manmade disasters.

Gathered together here for the first time are seven plays that span Havel's career from his early days at the Theater of the Balustrade through the Prague Spring, Charter 77, and the repeated imprisonments that made Havel's name into a rallying cry and propelled him to the leadership of his country. They include The Garden Party, The Increased Difficulty of Concentration, Mistake, the Vanek trilogy of Audience, Unveiling, and Protest, and the first fully corrected English version of The Memorandum--the play that won Havel the Obie for Best Foreign Play in 1968.

Gathers essays by the Czech playwright, and includes writings by other authors in his honor."

Translated from Czech: The garden party -- The memorandum -- The increased difficulty of concentration -- Audience (conversation) -- Unveiling (private view) -- Protest -- Mistake.