Classical and Byzantine Studies

The first anthology ever to present the entire range of ancient Greek and Roman stories--from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh--these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology--from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled. Featuring nearly four hundred stories in authoritative and highly readable translations, this is the first book to offer a representative selection of the entire range of traditional classical storytelling. Set mostly in the world of humans, not gods, these stories focus on figures such as lovers, tricksters, philosophers, merchants, rulers, athletes, artists, and soldiers. The narratives range from the well-known--for example, Cupid and Psyche, Diogenes and his lantern, and the tortoise and the hare--to lesser-known tales that deserve wider attention. Entertaining and fascinating, they offer a unique window into the fantasies, anxieties, humor, and passions of the people who told them. Complete with beautiful illustrations by Glynnis Fawkes, a comprehensive introduction, notes, and more, this one-of-a-kind anthology will delight general readers as well as students of classics, fairy tales, and folklore.

The essential illustrated guide to the gods and goddesses of ancient Greece and Rome, vividly retelling their stories and exploring their origins. Who were the gods and goddesses of ancient Greece and Rome? What did they mean to the people who worshipped them? Although their time of widespread worship has long passed, the Greek and Roman gods have fascinated and inspired writers and artists for millennia. From Aphrodite to Apollo, Poseidon to Zeus, these are some of the most recognizable characters in Western culture, yet there is a much richer past behind famous paintings of the birth of Aphrodite or the bold iconography of Zeus and his thunderbolts. The Greek and Roman gods are enthralling characters in the enduringly powerful Iliad, Odyssey and Metamorphoses. They are immortal and powerful yet also vain, vindictive and vulnerable. Moreover, as manifestations of death, fertility, love and war, the gods are also our key to understanding how the Greeks and Romans saw their world. Philip Matyszak presents this pantheon in all their complexity, guiding us from Mount Olympus to the depths of Hades. Each chapter focuses on an individual god or goddess, beginning with their 'biography' as understood by the Greeks and Romans and exploring the origins of the legends. Matyszak mixes history with vivid retellings of the myths in which the gods have a starring role, from stories of cosmic creation and universal war to disastrous weddings and freak discus accidents. This sumptuously illustrated guide to the gods of Greece and Rome is a must-have for anyone interested in mythology and classical civilization.

The Greek and Roman world is often noted for the rationalism of a few outstanding thinkers. This book is about the traditional superstitions, beliefs, taboos, folk-remedies, ghost stories, and folk tales that haunted the rest. Along the way it considers such questions as, Do modern approaches help or hinder our attempts to see ancient superstition from the inside? Can we break down the barriers between folk tales and myths? Did it really matter whether a healing herb was picked by moonlight or not? Was there a Cinderella tale in the ancient world? The volume begins by asking how we can attempt to define folklore in the first place, and how we can make sense of the vast amount of materials available. It examines the prejudices of writers who report folkloric information and explores the cultural contexts that shaped their materials. It includes numerous examples and texts, such as tales, legends, proverbs, jokes, riddles, and traditional customs. The volume overviews critical approaches to the study of ancient folklore, and it surveys the presence of Greek and Roman folklore in classical culture. Because of the tremendous interest in the ancient world, this volume will meet the needs of high school students and general readers.

Gregory Nagy here provides a far-reaching assessment of the relationship between myth and ritual in ancient Greek society. Nagy illuminates in particular the forces of interaction and change that transformed the Indo-European linguistic and cultural heritage into distinctly Greek social institutions between the eighth and the fifth centuries B.C. Included in the volume are thirteen of Nagy's major essays--all extensively revised for book publication--on various aspects of the Hellenization of Indo-European poetics, myth and ritual, and social ideology. The primary aim of this book is to examine the Greek language as a reflection of society, with special attention to its function as a vehicle for transmitting mythology and poetics. Nagy's emphasis on the language of the Greeks, and on its comparison with the testimony of related Indo-European languages such as Latin, Indic, and Hittite, reflects his long-standing interest in Indo-European linguistics. The individual chapters examine the development of Hellenic poetics in the traditions of Homer and Hesiod; the Hellenization of Indo-European myths and rituals, including myths of the afterlife, rituals of fire, and symbols in the Greek lyric; and the Hellenization of Indo-European social ideology, with reference to such cultural institutions as the concept of the city-state. A path-breaking application of the principles of social anthropology, comparative mythology, historical linguistics, and oral poetry theory to the study of classics, Greek Mythology and Poetics will be an invaluable resource for classicists and other scholars of linguistics and literary theory.

Combines a modern folkloric perspective with literary analysis of ghost stories from classical antiquity to shed light on the stories, and folk roots. This book examines ancient Greek and Roman beliefs about death and the departed and the various kinds of ghost stories that arose from these beliefs.

A new translation of an important text for Greek mythology used as a source book by classicists from antiquity to Robert Graves, The Library of Greek Mythology is a complete summary of early Greek myth. Using the ancient system of detailed histories of the great families, it contains invaluable genealogical diagrams for maximum clarity. The introduction gives details of sources and narrative traditions, and there is comprehensive annotation. Anindispensable reference work for anyone interested in classical mythology.

Now in its eighth edition, this magisterial work offers a comprehensive survey of the stories of Greek myth, from the Olympian gods, through the lesser gods and deities, to the heroes, adventures, and foundation myths of the ancient Greek world. The Routledge Handbook of Greek Mythology sets out to provide a comprehensive history of the divine order and mythical prehistory of Greece, as systematized on a genealogical basis by Hesiod and the ancient mythographers, while also taking into account the ways in which individual myths have changed and evolved over time in different genres of literature. This new edition has been extensively rewritten and reorganized to make it more accessible to readers who may have no particular knowledge of the ancient world and Greek mythology, and to ensure that information on each myth or mythical figure is easy to find within the book. This new edition of the handbook continues to offer an essential reference resource for all students of Greek mythology, and it provides an accessible and comprehensive overview of these stories for anyone with an interest in the classical world.