This guide is to help orient you to in the history of the European book up to the year 1600. During this period, letterpress printing emerged as one of the dominant modes of disseminating information in Europe. Letterpress co-existed alongside woodblock (xylographic) and intaglio (engraved plates) printing. 

Before beginning research with early European printed books, we recommend that you take the time to explore chapter five  The History of the Book Coursebook by Dr. Johanna Drucker. 

For two brief videos on printing practices during this period

The Making of a Renaissance Book (1969)

The Anatomy of a Book: Format in the Hand-Press Period (1991)

The earliest type of printing to occur in Europe was woodblock prints. Blocks were used to print on fabrics, and also to make ephemeral objects like playing cards. Despite the early use of block printing, there is only shakey evidence that books were printed by means of blocks prior to the invention of the printing press.

The earliest ‘block books’ - sometimes called 'Pauper's bibles (biblia pauperum) - were heavily illustrated abridged versions of the bible (see one here）. These block books were most popular in the 1460s, but they gradually fell out of popularity. Despite the decline of block books, wood blocks remained important to European printing. Illustrations, initials, and type ornaments were all printed using wood blocks until the end of the age of the printing press.

For scholarship on the history of European wood block (xylographic illustration) see:

This introductory essay from the MET museum

For printed introductions see:

Hind, A. M. (1935). An introduction to a history of woodcut: 2. London: Constable.

Parshall, P. W., Schoch, R., Areford, D. S., Field, R. S., & Schmidt, P. (2005). Origins of European printmaking: Fifteenth-century woodcuts and their public. Washington, D.C: National Gallery of Art.

Intaglio printing was a method of printing from engraved surfaces. This form of printing emerged sometime in the 1470s, and by the seventeenth century it was one of the most common ways of producing images in books. 

For a brief video illustrating this process see:

The Rolling Press for Pictures: How to Print an Intaglio Plate: A very brief video illustrating how to print an intaglio engraving. 

Presswork: A Documentary: A short documentary by the Rare Books School at UVA on their rolling press and the importance of understanding the technology.

For scholarship on the printing process see:

Bowen, K. L., & Imhof, D. (2010). Christopher Plantin and engraved book illustrations in sixteenth-century Europe. Cambridge [u.a.: Cambridge Univ. Press.

Benedict, P., Tortorel, J., & Perrissin, J. (2007). Graphic history: The Wars, massacres and troubles of Tortorel and Perrissin. Genève: Droz.

Gaskell, Roger. “Printing House and Engraving Shop. A Mysterious Collaboration.” The Book Collector 53 (2004): 213–251. 

Gaskell, Roger. “Printing House and Engraving Shop, Part II. Further Thoughts on ‘Printing and Engraving Shop: A Mysterious Collaboration.” The Book Collector 67 (2018): 788–97.

Stijnman, A., Savage, E., & University of Cambridge. (2015). Printing colour 1400-1700: History, techniques, functions and receptions.

Printing with movable type began in Europe in the 1450s, when Johannes Gutenberg combined the preexisting technologies of the screw-press (for making wine), engraving, and casting to make the "printing press."

"Inventing" the printing press required several different innovations. Take a look through the videos below to look at the many different steps it took to create a page of printed text using movable type:

Short Videos

The printing press spread rapidly across Europe. Although there was only one press in 1450, by 1499 there were presses in most urban centers, as you can see in the image below from "Information technology and economic change: The impact of the printing press," by Jeremiah Dittmar.

http://atlas.lib.uiowa.edu/

https://www.3dhotbed.info/punchcutting

Because of their importance to the history of printing, the study of incunabula has always played an important role in the history of the book. 

Several online resources are essential for anyone interested in studying the history of European printing before 1500:

Material Evidence in Incunables

A multi-national collaborative project

15th century book trade projects 

Searching for Incunabula

Incunabula short title catalog 

Recommended Readings: 

Dondi, Cristina ed. (2020). Printing r-evolution and society 1450-1500: Fifty years that changed Europe.

A collection of insightful essays on the impace

Eisenstein, E. L. (1994). The printing press as an agent of change: Communications and cultural transformation in early-modern Europe. New York: Cambridge University Press.

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Incunables have call numbers beginning with A1.